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Roadshow 2018 - Nationaltheater Mannheim © Lys Y. Seng i
Nationaltheater Mannheim Roadshow
Roadshow
On the occasion of the premiere of Beethoven’s Fidelio on Saturday, December 9th 2017, the Nationaltheater Mannheim hosted a reception at the « Oberes Foyer » to present the FEDORA Platform and its activities and to celebrate the support of the European Commission.
Beethoven’s Fidelio originates in a bloody era in which conquests and struggles for liberation were dominating Europe. After the failure of the revolution, a new period of Secret Services and prisons arose, where torture, treason and sacrifice were present everywhere. Beethoven was devoted to the topic of enlightenment an it is therefore not surprising that his only Opera Fidelio has become the parable representing the misuse of political ideas : Florestan, innocently in prison, is facing the cruel death from starvation ordered by the sadistic governor Pizarro. However, his wife, disguised as « Fidelio », snuck into the household of a prison guard, where she is able to gain his trust to then enter the prison in order to prevent Pizarros murderous plans at gunpoint.
Albrecht Puhlmann giving a speech at the Nationaltheater Mannheim Roadshow © Lys Y. Seng i
Edilia Gänz, Director of FEDORA, presenting the FEDORA Platform © Lys Y. Seng i
Roadshow
Sadler's Wells Theatre
01 February 2018
London / United Kingdom
On the occasion of the Members and Patrons Summer/Autumn 2018 Season Preview, Sadler’s Wells Theatre presented the FEDORA Platform. The evening offered a unique insight into the curation of the season and its exciting new productions.
Read moreOn the occasion of this year's Roadshow, Theater Magdeburg organised a singing workshop one hour before the performance of the interactive opera for children »Hoffmanns Erzählungen« (Tales of Hoffmann) by Jacques Offenbach.
Read moreRoadshow
Nationaltheater Mannheim
03 May 2019
Mannheim / Germany
"The opera is a beautiful tower - but unfortunately without a staircase."
With this picture, the Mannheim opera dramaturgy describes the problem of an art form that is one of the most complex in our cultural landscape - and therefore usually attracts a theatrically experienced, educated, long-established audience. But how do newcomers get to the tower?
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