Back to NewsSupport sustainable innovation in opera and dance
Outdated browser
Die Tote Stadt - Teatro alla Scala © Marco Brescia & Rudy Amisano i
Teatro alla Scala Roadshow 2019
Details
28 May 2019
Milan / Italy
Roadshow
After last year's event that celebrated the maestro Claudio Abbado, Teatro alla Scala presented the roundtable "Die Tote Stadt - femme fatale fra reincarnazione e desantificazione" (Die Tote Stadt - femme fatale between reincarnation and desantification). Organised by Franco Pulcini, Editorial Director at Teatro alla Scala, the conference took place in the Ridotto dei Palchi "Arturo Toscanini" on the occasion of the première of Erich Wolfgang Korngold's "Die Tote Stadt".
Three exceptional panellists discussed a lyrical masterpiece that was often left out by the greatest opera’s tradition, yet worth to be brought back to stage. Professor Marco Modenesi from the University of Milan, music critique and musicologist Giangiorgio Satragni and psychoanalyst Luigi Zoja were able to examine Korngold’s artwork through an interdisciplinary approach ranging from literature and composition to psychology.
“Die Tote Stadt"’s story stems from Georges Rodenbach's novel Bruges-la-Morte, translated first in a theatrical version, Le mirage, and finally in the four-handed libretto written by Eric Korngold and his father Julius, an authoritative music critic at the time, under the pen name of Paul Schott. In the passage from the novel to the play, two characters are added (the protagonist's friend and his housekeeper) together with a dream scene in which the dead wife appears to the man. But it is in the transition from the play to the libretto that the dream aspect predominates in two of the three parts of the work”. Renato Verga for Backtrack
Therefore, "Die Tote Stadt" appears like an oneiric opera: in a dreamlike atmosphere, a psychic theatre is created, where the characters represent the different elements of the author’s psyche. As a result of this Teatro alla Scala’s Round Table, “Die Tote Stadt” proves indeed to be a majestic work, the object of an interdisciplinary symposium between specialists from different fields.
To learn more about “Die Tote Stadt” at Teatro alla Scala, click here .
/
© Marco Brescia & Rudy Amisano i
Die Tote Stadt - Teatro alla Scala
© Marco Brescia & Rudy Amisano i
Die Tote Stadt - Teatro alla Scala
© Marco Brescia & Rudy Amisano i
Die Tote Stadt - Teatro alla Scala
© Marco Brescia & Rudy Amisano i
Die Tote Stadt - Teatro alla Scala
© Marco Brescia & Rudy Amisano i
Franco Pulcini
© Marco Brescia & Rudy Amisano i
Die Tote Stadt - Teatro alla Scala
© Marco Brescia & Rudy Amisano i
Die Tote Stadt - Teatro alla Scala
Discover other stories
Roadshow
AROP – Association pour le Rayonnement de l'Opéra national de Paris
AROP Roadshow
28 May 2018
Paris / France
On Monday, May 28th, our Platform Member AROP, presented the FEDORA Platform to its members at the Palais Garnier on the occasion of a meeting with Valentine Colasante, the newly-nominated Étoile of the Ballet of the Paris national Opera...
Read more
Experience Opera and Ballet Online, Platform Members, Roadshow
Teatro Sociale di Como - AsLiCo
AsLiCo Visibility and Awareness Campaign 2022
15 July 2022
Como / Italy
Intorno al Festival is an artistic review of musical events with free admission all around Como town and lake, that gravitates around Teatro Sociale’s summer festival.
Read more
Roadshow, Platform Members
Croatian National Theatre in Zagreb
Croatian National Opera in Zagreb Roadshow 2024
21 June 2024
Zagreb / Croatia
The Croatian National Theatre in Zagreb Opera Gala Week - Scolarship holders of the Opera concert
Read more
